Musings of an Ist

queenieofaces:

Hey, you should think about either being interviewed or submitting a guest piece if you’re eligible!

Signal-boosting this!

iandsharman:

notahoe:

my type of public transportation 

“Why were you late in today?”
“Oh, I got tied up on the subway…”

iandsharman:

notahoe:

my type of public transportation 

“Why were you late in today?”

“Oh, I got tied up on the subway…”

thingsthatmakeyouacey:

bessibels:

Soooo this post and all the white aces commenting on it are wrong and also racist and here’s why:

First of all, how is it that white aces are all about diverse perspectives and multiple narratives when we’re co-opting WOC ideas to demand inclusivity from feminist and sex positive spaces, but as soon as POC perspectives start challenging mainstream narratives within our own community, all of a sudden anything that doesn’t fit the mold is irrelevant and off-topic? We’re a bunch of racist hypocrites, folks.

Second of all, here’s *my* takeaway from Alok Vaid-Menon’s piece, and it’s a point all us white aces have been failing to articulate or acknowledge:

If one of the goals of an asexual visibility movement is to make asexual identities accessible, then we need to address all of the barriers to that. Right now we’re addressing some of them, like stigma and lack of vocabulary and erasure. But we’re not addressing colonialism. We’re not addressing the fact that structurally, people who have been racially desexualized just do not have the same access to an asexual identity that white people do. That makes racism and decolonization central issues for us. If we’re not addressing them, we’re only helping white people and POC who are able to adopt white-compatible narratives. If we’re not addressing that, we’re a racially exclusive movement. *That’s* the point. *That’s* why it’s crucial to talk about colonialism and desexualization and lack of access to ace identities.

People are like “How is this relevant when the person doesn’t even identify as ace?” You don’t get it. It’s relevant because they can’t identify as ace in an empowering way, and no one in our community is talking about why.

It’s also crucial to discuss colonialism because desexualizing is an issue the “ace community” has the power to challenge. Ace PoC have an immense power to discuss how colonialism = co-opting and sexual enslavement of brown bodies, and to fight this structure through actual movements instead of just trying to be included - and white people can’t wrap their minds around letting us do that, or that they’re not gatekeepers to “let” things happen in the first place.

I think I get this at a visceral level that I didn’t get before.

I’m so used to people who are not asexual using asexuality to talk about something else or to attack asexual identities, and using the narratives of trauma specifically to discredit asexuality and asexual identities (as in, “You’re not really asexual, you just _____!”), and used to saying “No, it’s a lack of sexual attraction, you’re talking about just not having sex for a while” that I forgot that neither I nor any asexual community owns those words, and people can use different meanings because they can’t access the ones I use. My vision of asexuality became too homogeneous, and in a shocking coincidence, looked a lot like me.

So that was wrong, and I’ll try not to do that any more.

meelo:

Most canon A:TLA pairings: Zuko/Awkwardness

tigersmilk:

thismighthurt:

Intimacy: The Whys, Hows, How-Nots, and So-Nots

A great Scarleteen article on intimacy by Heather Corinna with a few cute example illustrations! More illustrations in the article :)

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

princess-slay-ya:

My most popular post has received a lot of arguments lately, so I figured I’d respond to the most common points people bring up.

Sources:

Carrie Fisher on her costumes 

what supermodels wear in hell

 on Padme’s wardrobe 

to get a general gist of Queen Jamillia’s and Oola’s screen time, here are the scripts for Attack of the Clones (Jamillia is in 359 word scene) and Return of the Jedi (Oola is in scenes that add up to 275 words)

Star Wars Bechedel Test results  here

The most common concern was my health. Presumably I, as a fat woman, would not know how to properly operate the complicated piece of equipment known as a bikini. What if I strangled in all the straps and ties? What if I became distracted by the complexity of spandex, a substance heretofore unknown to me, and wandered blindly into traffic? What if I ate it? I’m not sure what all these well-meaning people thought was going to happen to me. Blood pressure, heart problems, joint problems and cholesterol were all brought up, but I didn’t see any kind of warning label anywhere on the suit that suggested the Surgeon General had investigated these claims. I remain skeptical as to the health problems bikinis cause.

The secondary concern seemed to be that I would be “glorifying obesity.” I was going to look so good in my bikini, I would make others question their perceptions of beauty and body size? It seems like that’s more of an inducement to wear the bikini than not to wear it. And it’s a lovely compliment; I never knew I was so gorgeous as to make people rethink their lifestyles. Move over, Helen of Troy; Jenny Trout is going to wage a war on good health and fit bodies!

A third type of person only worried about my comfort: “Wouldn’t you be more comfortable in a one piece?” Or perhaps I would be more comfortable if I didn’t go to the beach at all. If I venture into the water in a bikini, the sight of my melanin-deficient Michigan belly might attract beluga whales. Sure, I could secretly live among them and learn their ancient ways, but I couldn’t keep that kind of ruse up forever. One day, they would learn of my betrayal, sparking tense conflict between humans and those gentle giants of the sea.